She learned to crochet from her mother as a child. She devoted herself to bobbin lace-making, where she maintained the traditional color scheme – red, yellow, green, blue. In addition, she also mastered the compositional rules that were adhered to in the creation of bobbin lace, i.e. technical elements. In 1962, she obtained a certification as a master of folk art production in the field of lace-making, awarded by the Commission for Assessing the Professional Competence of Workers in Folk Art Production.