She collaborated with ÚĽUV from 1965. She made bobbin and multi-pair lace. She made edgings for economical tablecloths, tea sets, and coverlets. According to pre-drawn designs, she could create lace for dresses. She was one of the most active lacemakers in Slovenský Grob, where she worked as a forewoman of lacemakers. She always designed new patterns first, and only after their verification and approval did she assign this work to other women. During her era, the number of lacemakers in Slovenský Grob increased to 23. In 1980, she obtained a certification as a master of folk art production in the field of bobbin lace, granted by the Commission for assessing the professional competence of workers in folk art production.