As a child, she learned how to decorate Easter eggs using the scratching technique. She began actively creating from 1940 onwards. She started collaborating with the Folk Art Production (ÚĽUV) in 1978. Her work was always precise, imaginative, and creative. She drew inspiration from plant and flower motifs, which she could always blend into a composition around the entire egg. In 1987, she obtained a certificate recognizing her as a master of folk art production in the field of Easter egg making, awarded by the Commission for Assessing the Professional Competence of Folk Art Production Workers.