Lucia Šlamiarová
Michal Melicherčík comes from Hriňová and lives and works in an outlying settlement in his parents’ house. No-one in his family worked with crafts, but his found his path thanks to his father, who enjoyed drawing with him as a child. He spent his holidays in a village with his grandparents, observing the surrounding rural world, drawing everything he could see, from the landscape to his grandfather’s shepherd’s whip or axe. His parents thus decided to develop his talents and enrolled him in primary art school. However, what fascinated him most was not painting, but rather working with his hands with clay, wood and wire.
Further articles:
- Traditions of folk art and craft circulating in mass culture and popular culture
- Breaking with tradition
- Nature’s message in indigo
- Tradition versus kitsch
- The new face of the open workshop
- Household textiles and ÚĽUV part II
- Further dimensions of craft
- PETER DOLINAJ – Living a glass dream
- PETER LUŽÁK and TATIANA HOMOLAYOVÁ HANZELOVÁ – Connected with clay
- Modra openwork plates from the 19th century to the present day
- The cherry (not only) on the cake
- Guide to the world of crafts
- Homo Faber through an ambassador’s eyes
- Giddy-up, wake up, move!
- Rings in Water 2022
- Let’s discover a craft – Wire craft
- Carved animals
- From pencils to knives