She collaborated with ÚĽUV from 1956. She bobbin-laced small motifs in ancient Hungarian style, later turning to angular lace edgings. She also created many coverlets from natural linen yarn with patterns from Hlboké, ranging from simple designs to complex ones with large teeth. Her technical lace-making skills were evident here, in reproducing patterns of a peasant style uncommon in the mining region. In 1980, she obtained a certification as a master of folk artistry in the field of bobbin lace, awarded by the Commission for Assessing the Professional Competence of Folk Artisanal Workers.