She began to cooperate with ÚĽUV in 1960. She decorated Easter eggs with the traditional pin technique. She dipped the pin in wax and used it to apply patterns composed of simple lines to the base color. She created simple geometric patterns and flowers on the Easter egg. Her Easter eggs were always symmetric, regular, and tastefully decorated. In 1980, she obtained a qualification certificate as a master of folk art production in the field of Easter egg production, awarded by the Commission for Assessing the Professional Competence of Folk Art Production Workers.