She mastered the patterns of the Spanish-Dolin technique from the narrowest patterns to the wide ones with various teeth that lace edgings are finished with. She dedicated herself to lace for meters, later it was lace for tablecloths and covers, and finally old Hungarian motifs. In 1963, she obtained a certificate of qualification as a master of folk art production in the lace sector, awarded by the Commission for assessing the professional competence of workers in folk art production. She was active from childhood.