Kreba – smock – older type

Kreba – smock – older type

Kreba – smock – older type

Producer
Líčeniková-Škrabalová Viera
SKU
43379298
Techniques
watercolour
Dimensions
drawing: width = 30.0 cm; drawing: length = 44.0 cm
About product

Shirt, Lubiša, end of the 19th century.

Author
Líčeniková-Škrabalová Viera

Viera Škrabalová-Líčeníková was a prominent Slovak textile artist with a wide range of creative activities. During her work at ÚĽUV, Viera Škrabalová-Líčeníková also engaged in fashion design. Her fashion sketches incorporate decorative elements of folk costumes, such as embroidery or lace, and are inspired by the design solutions of traditional folk clothing pieces. These drawings document the situation of the 1950s when ÚĽUV closely collaborated with embroidery, lace-making, and blueprint production cooperatives. This collaboration between the cooperatives and design studios resulted in several valuable models that also went into regular production.

The collection of drawings in the Museum of Folk Art Production includes mainly designs for women’s day and evening dresses, as well as blouses. The designs are accompanied by brief descriptions indicating the material, cut, and decoration of the garments. Natural fabrics were proposed for making the dresses – cotton, linen, and silk materials.

In addition to designing and implementing interior decorative and utility textiles, she was actively involved mainly in the spheres of theater, film, and television.

Author
Líčeniková-Škrabalová Viera

Viera Škrabalová-Líčeníková was a prominent Slovak textile artist with a wide range of creative activities. During her work at ÚĽUV, Viera Škrabalová-Líčeníková also engaged in fashion design. Her fashion sketches incorporate decorative elements of folk costumes, such as embroidery or lace, and are inspired by the design solutions of traditional folk clothing pieces. These drawings document the situation of the 1950s when ÚĽUV closely collaborated with embroidery, lace-making, and blueprint production cooperatives. This collaboration between the cooperatives and design studios resulted in several valuable models that also went into regular production.

The collection of drawings in the Museum of Folk Art Production includes mainly designs for women’s day and evening dresses, as well as blouses. The designs are accompanied by brief descriptions indicating the material, cut, and decoration of the garments. Natural fabrics were proposed for making the dresses – cotton, linen, and silk materials.

In addition to designing and implementing interior decorative and utility textiles, she was actively involved mainly in the spheres of theater, film, and television.

ÚĽUV